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Why Sergei Mosunov’s Acquisition Could Reignite Fabergé’s Legendary Magic

Why Sergei Mosunov’s Acquisition Could Reignite Fabergé’s Legendary Magic

Ivan Allegranti

A few weeks ago, the luxury world learned that Fabergé, the iconic high-jewelry maison founded in 1842 by Peter Carl Fabergé, celebrated for its imperial eggs, objets d’art, and technical innovations such as the invisible setting, was sold by Gemfields to Russian investor Sergei Mosunov of SMG Capital LLC for $50 million.

Initially, the news brought mixed feelings. Any acquisition signals change, and Fabergé’s potential under Gemfields was never fully realized. When Gemfields acquired the brand in 2013 for $143 million (about $145 million today), the maison had all the ingredients to become a billion-dollar luxury powerhouse, but that vision remained unfulfilled.

Despite this, Fabergé produced remarkable creations. The 2014 Ladies’ Compliqué watch, which I first saw at Baselworld, remains one of the most intricate and visually stunning timepieces I’ve encountered. Its rotating peacock tail, counter-clockwise mother-of-pearl hour display, and delicately fanned tail-feather minutes exemplify the maison’s technical brilliance and whimsical artistry. Similarly, the 2015 Secret Garden Collection and Pearl Egg captured the playful imagination and craftsmanship that define Fabergé. On the men’s side, the 2016 Visionnaire DTZ line, with its dual time-zone complication and Aghenor movement, reaffirmed the maison’s flair under Aurélie Picaud, Fabergé’s Timepieces Director.

Yet, under Gemfields, Fabergé also faltered. Lines like Fabergé 1842 and the Flirt and Altruist watches aimed at a broader, more accessible market, but this audience has never been Fabergé’s true clientele. The maison has always been about rarity, wonder, and exceptional craftsmanship, creating pieces that inspire awe and imagination.

This is why Mosunov’s acquisition is so promising. A Russian who knows Fabergé intimately, he understands the brand’s heritage, culture, and imperial origins. He is committed not merely to selling jewelry, but to reviving the magic and imagination that have always been Fabergé’s hallmark.

Mosunov has already shown his dedication. He traveled to Qatar and Saudi Arabia to negotiate with the owners of the 1913 Winter Egg, one of the most celebrated of the 50 imperial eggs made for the Romanovs, which later sold at Christie’s London on December 2nd for $30.2 million. This demonstrates his commitment to reclaiming Fabergé’s imperial legacy and reconnecting the brand to its history while keeping it relevant to today’s elite collectors.

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Looking ahead, Mosunov plans to invest $50–100 million over five years to produce bespoke Heritage pieces alongside experimental contemporary works, including a space-themed egg in collaboration with Elon Musk and an “Islamic soul” egg for Gulf collectors. Production will continue in London and Germany, with future expansion to the US, China, Thailand, and Russia. Quality and craftsmanship remain paramount: only natural diamonds, meticulous techniques, and inventive design will define this new era.

With Mosunov at the helm, Fabergé has the opportunity to reclaim its rightful place in high jewelry. His deep understanding of the maison, combined with his vision for bold, imaginative innovation, could finally allow Fabergé to enchant collectors and the world once again, proving that its legacy of artistry, imagination, and technical brilliance endures.

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