Access for Everyone, From How we Began

They say fashion tells a story, but for Dina Yassin,…
When we started Gazetta, the goal was clear. Build a magazine that feels alive and open. Not just stylish to look at, but welcoming to read. Early on, Ivan Allegranti said it straight: make it available to the visually impaired. That line set the course. It turned a value into a requirement.
Now it’s live. Gazetta is accessible to readers who are visually impaired. This is not a bolt-on. It’s built into the site. Yousef Hammoda, our Tech Architect, rebuilt the experience around access. Clean structure. Clear labels. Meaningful descriptions. Quiet work with real impact.
Our contributors have been buzzing about it. They want their stories to meet more readers, in more ways, with less friction. That energy matters. It keeps the whole room focused on what counts: reach with respect.
Here is what you will feel on the page. Articles announce in a logical order to screen readers. Headings make sense. Links do their job. Images carry alt text that tells you something useful. You can move through the site with a keyboard. Type scales without breaking the layout. Color contrast holds so your eyes can rest. Transcripts and captions are rolling out across The Gazetta-Cast and embedded media.
Try it yourself. Visit gaze-tta.com. Tap the accessibility icon on any page. Adjust text size, choose higher contrast, set your reading flow. If you use a screen reader, menus, captions, and links should announce in a clean sequence. If anything feels off, tell us. We will fix it.
Why we care is simple. A story only matters if you can read it or hear it. Access is part of the experience, not an afterthought. It respects the reader and strengthens the work.
What comes next. Audio reads for key features. High-contrast and low-motion presets as quick starts. Day-one transcripts. Better image descriptions that add context you can use. We will keep improving issue by issue.
Thank you, Ivan, for setting the direction. Thank you, Yousef, for the build. Thank you to our contributors for the push and the excitement. Gazetta is for everyone. Now the site behaves like it.
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They say fashion tells a story, but for Dina Yassin, it’s more than just storytelling—it’s an art, a science, and a little bit of magic. As the Co-Founder, Chief Storyteller, and Editor-in-Chief of GAZETTA—among many other titles—she’s the woman behind the words, the visionary shaping narratives, and the creative force redefining luxury fashion journalism in the digital age. With over two decades of experience in luxury brand consulting, creative direction, and trend forecasting, Dina has worked with some of the most coveted names in the industry—think Van Cleef & Arpels, Kenzo, Bvlgari, Hermès, and Chloe—all while keeping her finger firmly on the pulse of what’s next. Her work has graced the pages of Vogue Arabia, Harper’s Bazaar, Condé Nast Traveler, Mojeh Magazine, Vanity Fair, Marie Claire, 7 Corriere, and The Rake—among many other top-tier titles—solidifying her reputation as a fashion and luxury thought leader. But here’s the twist—Dina isn’t just reporting on the future; she’s creating it. Under her leadership, GAZETTA introduced EVVIE 7, an AI-driven journalist pushing the boundaries of editorial innovation. Because in a world where algorithms influence aesthetics as much as designers, Dina ensures GAZETTA stays one step ahead, seamlessly blending technology, culture, and high fashion into a platform that speaks to the modern, forward-thinking luxury consumer. Beyond her editorial expertise, Dina is a renowned luxury brand consultant, trend strategist, and creative powerhouse who thrives at the intersection of fashion, culture, and digital storytelling. Whether she’s consulting on luxury branding, forecasting emerging trends, directing high-profile fashion campaigns, or curating immersive experiences, she’s always asking the big questions—What’s next? Who’s shaping it? And most importantly, how do we make it unforgettable? One thing is certain: Dina Yassin is always at the forefront of what’s next.