DKNY’s Ramadan Drop, Painted in Dina Saadi’s Language
Ramadan has its own tempo. The city exhales. Days feel softer. Nights feel charged. Plans start small and end up with extra chairs pulled to the table. DKNY steps into that rhythm with its Ramadan SP26 collection, created exclusively for the Middle East, and anchored by a limited-edition artist capsule with regional street artist Dina Saadi.
The idea works because it stays practical. DKNY keeps its New York backbone, but loosens the grip for the season. The silhouettes move. The pieces shift easily from daytime errands to evening gatherings without making you feel like you need a full costume change. Think dresses, kaftan-inspired shapes, and accessories that finish a look without turning it into a performance.
Image Source: Press Office
The palette stays grounded and warm. Neutrals and earthy tones do what they always do best during Ramadan: they let the glow come from the person wearing them, not the fabric trying to steal the moment. The overall mood reads clean, calm, and put-together, with enough ease to actually breathe, eat, laugh, and stay out late.
Then Dina Saadi enters and sharpens the whole thing. Her work doesn’t sit politely on the surface. It has that street-level confidence, the kind of visual language that marks a space and gives it pulse. That energy turns a seasonal wardrobe into something more specific. It feels like a capsule with a point of view, not just a themed release.
If you like a little brand context, DKNY has always sold movement. Since 1989, it’s built a reputation around city energy and clothes that keep up. During Ramadan, that same idea lands in a different way. Movement becomes about transitions: from day to night, from quiet to crowded, from family to friends, to the surprise invite you say yes to.
Explore and shop:
DKNY UAE
Meet the artist:
Dina Saadi on Instagram
Dina Saadi’s website
Press contact:
[email protected]
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