Post Grid – Style 9

The Art of Dressing Well: Stephen Adkins III at Threaded Men’s Fashion Week

Richmond, Virginia, welcomed an evening of men’s fashion on Saturday, October 17, as Threaded Men’s Fashion Weekpresented its menswear runway show at The Park RVA. Among the featured designers was Stephen G. Adkins III, whose Stephen…

Reading Corner

Five good reasons to stay a little longer. A good reading corner tends to come together over time. A favourite chair finds its place beside a window, books begin to accumulate, and…

The Shape of Air

Lalique’s Alizé Vase: Where the invisible becomes an object of desire. There is something rather extraordinary about attempting to give shape to something we cannot hold. Air has no fixed form, no colour, no weight we can readily perceive. Yet its presence is everywhere, in the movement of a curtain, the changing direction of a breeze, or the quiet shift of leaves before a storm. For its 2026 Air de Lalique collection, the French crystal house Lalique explores this very idea, translating the movement of air into the language of sculptural crystal. Among its creations, the Alizé Vase stands out for its flowing silhouette and warm coral tones, an object that seems to capture movement even when standing perfectly still. The design takes its cues from the delicate pleating of haute couture. Its surface alternates between satin-finished and polished crystal, allowing light to settle in its recesses and catch along its raised curves. The result is a fascinating contradiction: a substantial object that appears almost weightless. The coral patina is particularly beautiful. Rather than relying on colour alone, Lalique applies pigment to the satin-finished crystal through a technique that recalls the work of René Lalique himself. It brings warmth to the transparent material, with shades that seem to change depending on the light and the angle from which the vase is viewed. Created under the artistic direction of Marc Larminaux, Air de Lalique continues the house’s exploration of nature’s four elements. It is an interesting exercise in restraint. The craftsmanship is elaborate, but the finished piece doesn’t feel overly decorated. Every curve contributes to the impression of movement.  And perhaps that is what makes the Alizé so compelling. It doesn’t need an elaborate arrangement of flowers or an extravagant setting to justify its presence. It is already a sculpture in its own right. For October, as interiors begin to take on warmer tones and natural light changes with the season, the Alizé feels particularly appropriate. Not because it follows an autumn trend, but because its coral warmth and shifting reflections make it an object worth observing throughout the day. Luxury, at its most interesting, gives us something more than an object to own. It gives us another way of looking at the ordinary. In Lalique’s hands, even a passing breeze becomes something we can see. Alizé Vase in Clear Crystal with Coral Patina  Lalique | Air de Lalique,  2026 Handcrafted in France | 38 cm high | US listed price: $3,900. 

The Future of Design Has a Long Memory

From Mexico City to Doha, a new generation of designers and master artisans is reconsidering who creates, who receives recognition and why cultural knowledge matters to the future of design. There is…

Azza Fahmy Does It Again, and the Nile Has More Stories to Tell

With extraordinary emeralds, sculptural goldwork and a fresh chapter of Tales of the Nile, the Egyptian jewellery house makes another compelling case for high jewellery with cultural intelligence. Azza Fahmy has always…

Veganologie is Rethinking What we Carry

With its new Traveller Collection, the Dubai-born accessories label considers how material innovation, practical design and a changing understanding of luxury can accompany us wherever we go. The things we carry say…