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The Drip Isn’t Dead, It’s Just Done Talking

The Drip Isn’t Dead, It’s Just Done Talking

Dina Yassin

What happens when the illusion of luxury fades and the receipts go public? A think piece on heritage, value, and the future of style.

The truth? I don’t care what your bag cost if you had to Google why it matters.

We’re living in a moment where style moves in whispers, not billboards. And if you’re still buying logos like it’s 2012, you’re not dripping. You’re drowning. The era of loud luxury is quietly packing its bags, and I’m not sending it a goodbye gift.

I’ve been in this industry long enough to recognize the signs. The shift. The shoulder-drop. The collective side-eyewe’re all giving brands that confuse price with presence. The runway still struts, but the audience has changed. People aren’t just watching. They’re questioning. Dissecting. Reposting TikToks that break down six-thousand-dollar handbags into thirty dollars of material and a markup the size of a mortgage.

And they’re not wrong.

Somewhere between Trump’s tariff war and the Xiaohongshu exposés, the fashion elite started losing control of the narrative. The former president’s 2025 tariff revival imposed up to 145% duties on Chinese imports, sending shockwaves through sourcing channels and raising costs that even the most loyal luxury buyers couldn’t ignore. Prices ballooned. Shipping timelines cracked. And suddenly, the most powerful people in the room were pausing before pulling the trigger on their favorite monogrammed everything.

No tantrums. Just silence. And in luxury, that silence cuts deeper than outrage.

Meanwhile, a different kind of reckoning was unfolding online. Chinese consumers, armed with cameras, commentary, and factory-level access, started unpacking what luxury really means. On Xiaohongshu, influencers have gone viral for comparing luxury goods to lookalikes from the same manufacturing region. Workers and suppliers are stepping out of the shadows, posting side-by-side videos that show the same stitching, materials, and hardware being used in both high-end and “inspired” products.

@tanner.leatherstein

This $3,000 bag isn’t just a purchase—it’s a strategy. You’re not buying luxury; you’re buying a dream they want you to chase forever. What’s the real price you’re paying? The answer might shock you. 👜💡 #luxuryfashion #luxurybag #designerbag #bagtok #financialfreedom #moneytok #leathertainment #tannerleatherstein

♬ original sound – Tanner Leatherstein

You think this is shade? No! It’s transparency.

And while Western luxury clings to its stories of scarcity and craftsmanship, the receipts are now public. Literally. Consumers know what a handbag should cost. They know which brand has raised prices five times in two years. They know what they’re paying for. And they’re deciding…..maybe not anymore!

But if luxury is retreating from the pedestal, what is replacing it?

Heritage. Culture. Truth. Not as buzzwords, but as anchors.

In Nairobi, I spoke with a designer whose mother was a seamstress and whose grandmother wove baskets sold across the Horn of Africa. “Our hands have always made luxury,” she said. “We just didn’t call it that.” In Xianghu, once a mass-manufacturing hub, a new generation of boutique studios are creating pieces rooted in Chinese design philosophy, free from European imitation or validation.

And it’s not nostalgia. It’s cultural authorship.

Heritage matters because it cannot be faked. It holds memory. It reflects process. And when you wear it, you’re not just dressing up. You’re carrying history. Today, everything is copied, streamed, swiped and resold, originality comes from specificity. Real heritage design doesn’t just reference culture. It belongs to it.

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The African continent has always known this. So has South Asia. So has the Middle East. Our mothers made what our designers now reimagine. Our rituals are the mood boards the global North has been quietly referencing for decades. And finally, buyers are turning back to those roots, not out of trend, but out of trust.

What’s changing now is how people see value.

They are looking to what is handmade, not because it is imperfect, but because it is intentional. They are drawn to design that is anchored in language, not just label. They are craving pieces that last not because of materials alone, but because the story that carries them is unshakable.

Luxury in 2025 is less about being first. It is about being foundational.

So what about the mega brands? The LVMHs. The Richemonts. The big dogs that taught us how to dream in leather and limited runs?

They’re still here. But they are no longer the only reference points. They are being fact-checked by digital watchdogs and matched by designers whose names are unfamiliar but whose work is undeniable. And that, finally, is the level playing field we’ve been waiting for.

You do not have to be rich to understand luxury anymore. You just have to be aware. And stubborn enough to refuse the performance of it. The smartest people I know are not buying more. They are buying less, but with precision. They are shopping from their values, not their algorithms.

If you are still dressing for applause, you should ask who’s clapping. Because the room is shifting.

The drip is quieter now. But it’s heavier than ever.

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